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'Harry Potter' spinoff 'Fantastic Beasts' conjures up US$75M at box office

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LOS ANGELES — Harry Potter spinoff Fantastic Beasts and Where to Find Them cast a spell over audiences in its debut, summoning US$75 million according to studio estimates Sunday and unseating Doctor Strange from the top spot.

Starring Eddie Redmayne and directed by Harry Potter alum David Yates, Fantastic Beasts, a Warner Bros. release, cost around $180 million to produce, and is meant to kick off a five film franchise based on author and screenwriter J.K. Rowling’s creation.

It’s been scoring well with critics and audiences, who gave the film an A CinemaScore. According to the studio, 55% of attendees were female and 65% were over the age of 25.

“It’s a real crowd-pleaser,” said Jeff Goldstein, Warner Bros.’ president of domestic distribution. He noted that the film performed especially well in small to medium-sized towns across North America, and not just in the major markets.

Paul Dergarabedian, a senior media analyst for box office tracker comScore, attributes the solid turnout to the goodwill amassed by the Harry Potter films.

While Fantastic Beasts doesn’t quite compare to the opening weekends of the “Harry Potter” films, which averaged over $91 million in their debuts, Goldstein is hopeful for how it will play out over the Thanksgiving holiday when kids are out of school.

Indeed, it was a strong weekend for all-ages films overall in the lead-up to the holiday, with Doctor Strange placing second with $17.7 million and Trolls close behind in third with $17.5 million. The sci-fi mindbender Arrival took fourth with $11.8 million, while the themed comedy Almost Christmas rounded out the top five with $7 million.

The success of the top films this weekend didn’t leave much room for other new wide releases to find their footing this weekend, however.

Ang Lee’s ambitious wartime drama Billy Lynn’s Long Halftime Walk tanked in its expansion from four to 1,176 theatres with a mere $930,000. The film cost a reported $40 million to produce and has netted only $1.1 million total, hindered by negative reviews of its revolutionary high frame rate. Last year, Sony had a similarly inauspicious start for The Walk, which was also touted as a must-see technological achievement.

Other more modestly budgeted films also struggled, including the R-rated high school comedy The Edge of Seventeen, which earned $4.8 million, and the fact-based boxing drama Bleed for This, which took in $2.4 million.

While boxing pics outside of the Rocky films are generally a gamble, despite their abundance in the marketplace, The Edge of Seventeen, was expected to do a bit better. The audience for the well-reviewed film starring Hailee Steinfeld from first-time director Kelly Fremon Craig was 70% female and 75% between the ages of 17-34. The studio is hoping good word of mouth will drive further returns.

In limited release, the drama Manchester by the Sea, expected to be a big awards player, got off to a decent start with $241,230 from four theatres. It will be expanding in the coming weeks.

“I think there are almost too many options right now,” noted Dergarabedian, who expects the five-day Thanksgiving frame to be a record-breaker thanks to new openers like Disney’s “Moana” and audiences looking to catch up on things they’ve missed.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

1.Fantastic Beasts and Where to Find Them, $75 million ($143.3 million international).

2.Doctor Strange, $17.7 million ($26 million international).

3.Trolls, $17.5 million ($11.4 million international).

4. Arrival, $11.8 million ($6.5 million international).

5.Almost Christmas, $7 million.

6.Hacksaw Ridge, $6.8 million ($2.5 million international).

7.The Edge of Seventeen, $4.8 million.

8. Bleed for This, $2.4 million.

9.The Accountant, $2.1 million ($3.2 million international).

10.Shut In, $1.6 million.

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Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to comScore:

1. Fantastic Beasts and Where to Find Them, $143.3 million.

2. I Am Not Madame Bovary, $27.9 million.

3. Doctor Strange, $26 million.

4. Trolls, $11.4 million.

5. Deepwater Horizon, $8.2 million.

6. Arrival, $6.5 million.

7. Billy Lynn’s Long Halftime Walk, $3.9 million.

8. Jack Reacher: Never Go Back and Inferno, $3.8 million.

9. Willkommen bei den Hartmanns, $3.7 million.

10. The Girl on the Train, $3.5 million.

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Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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